《十年轮回(从亚洲到全球的金融危机)》从内部人的视角对当前世界金融风暴进行了独特描述。作者是一个亚洲金融的监管者，曾亲身参与有关监管政策和国际金融体系设计的重要讨论。在书中，他结合自身经历，从制度及其演进的角度，在历史、宏观、微观三个层面审视了导致20世纪90年代后期和2007～2009 年这场目前仍在进行的全球危机的种种原因：陈旧的思维模式、市场原教旨主义、宽松的货币政策、利差交易、松懈的监管、贪婪、裙带关系以及金融工程等。作者全面生动地回顾了亚洲金融危机期间各国（地区）的遭遇和危机发生前后的经济金融状况，并对危机各国（地区）采取的应对措施及国际金融机构的救援措施进行了反思，读者可以从中了解到，日本抵抗通缩的零利率政策诱发了利差交易，利差交易催生了亚洲的泡沫，而泡沫的破灭则摧毁了亚洲的经济。这一研究的主要目的是要表明，全球金融互相关联、互相影响的程...(展开全部)

《十年轮回(从亚洲到全球的金融危机)》从内部人的视角对当前世界金融风暴进行了独特描述。作者是一个亚洲金融的监管者，曾亲身参与有关监管政策和国际金融体系设计的重要讨论。在书中，他结合自身经历，从制度及其演进的角度，在历史、宏观、微观三个层面审视了导致20世纪90年代后期和2007～2009 年这场目前仍在进行的全球危机的种种原因：陈旧的思维模式、市场原教旨主义、宽松的货币政策、利差交易、松懈的监管、贪婪、裙带关系以及金融工程等。作者全面生动地回顾了亚洲金融危机期间各国（地区）的遭遇和危机发生前后的经济金融状况，并对危机各国（地区）采取的应对措施及国际金融机构的救援措施进行了反思，读者可以从中了解到，日本抵抗通缩的零利率政策诱发了利差交易，利差交易催生了亚洲的泡沫，而泡沫的破灭则摧毁了亚洲的经济。这一研究的主要目的是要表明，全球金融互相关联、互相影响的程...(展开全部)

杜赞奇（Prasenjit Duara），历史学家、汉学家，印度裔，早年就学于印度，后去美国求学，拜汉学家孔飞力为师，曾任教于美国芝加哥大学历史学系及东亚语言文明系和新加坡国立大学，现任教于杜克大学。

In this major new study, Prasenjit Duara expands his influential theoretical framework to present circulatory, transnational histories as an alternative to nationalist history. Duara argues that the present day is defined by the intersection of three global changes: the rise of non-western powers, the crisis of environmental sustainability and the loss of authoritative sources ...(展开全部)

In this major new study, Prasenjit Duara expands his influential theoretical framework to present circulatory, transnational histories as an alternative to nationalist history. Duara argues that the present day is defined by the intersection of three global changes: the rise of non-western powers, the crisis of environmental sustainability and the loss of authoritative sources ...(展开全部)

The contributors to this volume theorize Asian video cultures in the context of social movements, market economies, and local popular cultures to complicate notions of the Asian experience of global media. Whether discussing video platforms in Japan and Indonesia, K-pop reception videos, amateur music videos circulated via microSD cards in India, or the censorship of Bollywood ...(展开全部)

The contributors to this volume theorize Asian video cultures in the context of social movements, market economies, and local popular cultures to complicate notions of the Asian experience of global media. Whether discussing video platforms in Japan and Indonesia, K-pop reception videos, amateur music videos circulated via microSD cards in India, or the censorship of Bollywood ...(展开全部)

Andre Gunder Frank asks us to re-orient our views away from Eurocentrism - to see the rise of the West as a mere blip in what was, and is again becoming, an Asia-centered world. In a bold challenge to received historiography and social theory he turns on its head the world according to Marx, Weber, and other theorists, including Polanyi, Rostow, Braudel, and Wallerstein. Frank ...(展开全部)

Andre Gunder Frank asks us to re-orient our views away from Eurocentrism - to see the rise of the West as a mere blip in what was, and is again becoming, an Asia-centered world. In a bold challenge to received historiography and social theory he turns on its head the world according to Marx, Weber, and other theorists, including Polanyi, Rostow, Braudel, and Wallerstein. Frank ...(展开全部)